Mad Men s6e6: For Immediate Release

“You’re just Tarzan, swinging from vine to vine!”

Time to blow up some relationships. Peggy and Abe (by way of Ted), Don and Joan with Jaguar, Pete and Trudy/Tom with a big olllll prostitute, and SCDP with The Merger. Hey Lieutenant, want to get into some trouble??

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Dr. Rosen is disillusioned that he didn’t perform the first heart transplant in the USA, and Don offers the faux advice of ‘you make your own opportunities’. That’s a real lofty point of view– natch, the rich handsome guy can afford to take absurd chances and do all that shit, but when it comes to someone like Dr. Rosen or Pete Campbell, it’s not that simple. Don is indeed a guy who can swing from vine to vine, get on with it, and fail mostly upwards– but everyone else won’t be so lucky.

Like Sterling Cooper dumping Mohawk to chase American Airlines, CGC had to dump Alfa Romeo to chase Chevy. Turns out Don just happened to fire Jaguar at the right time, even though it means the secret IPO the other partners have been working on is shelved.

Brass tacks, Don is a guy who’s always looking for the fucking escape hatch in literally any situation. Musing with Ted over latenight booze in Detroit, he figures the solution to the current crisis at hand is to combine with CGC; it somewhat mitigates the Jaguar disaster and gives them both a real shot at Chevy. If you don’t like what’s being said, change the conversation. Shake it up.

Remember, Don only likes the beginning of things. The guy’s got a hardon for GM’s futuristic Computer-Designed car, which is certainly the Mustang killer. There’s no photos, it’s a totally new design; all of this is what he likes best, that buzzing feeling of Pure Promise, without any pesky reality to bring it back down to earth. Too bad the Vega turns out to be a big old hooptie. And natch, Don assumes he’s made the right decisions here because, of course, he’s the one who thought of them.

Hoo-ray.

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When the Jaguar news hits SCDP, Joan deploys a big old Truth H-bomb and puts Don on notice. As much of a scumbag Herb is, Don hasn’t experienced nearly as .. much of him as Joan. And she ain’t wrong; if she could deal with him, anybody could. Dissolving the relationship with Jaguar so hurriedly, coupled with Don assuming it’s The Right Decision for everyone leaves Joan cold, thinking she did all that for nothing. It’s self-serving and fuckin rude as hell to boot.

As a matter of fact, nobody seems particularly chuffed to see Don in this episode, which is funny because he’s supposedly Our Hero, Our Flawed Protagonist. Pete bristles at him declining dinner together (and later yells at him while falling down the stairs), a stunned Peggy winces at the news of the merger (and then Don has her write a goddamn press release about it), and I’ve already mentioned Joan.

iconic TBH || image courtesy of Giphy

Here’s Pegs, she’s made a new life for herself– new apartment in a changing neighbourhood, working for new agency with a renewed sense of pride in her job. Her handsome-ass boss even kissed her, ooh la la. And bam, Don is back at it trying to forcibly merge all the above with her old life.

Both Peggy and Joan have had Some Bullshit heaped on them due to Don, and here he is attempting to smooth things over.. but in a way where he’s neither welcome nor asking what they want or need; vine to vine. Akin to his marriage(s), he uses the people around him to build a life that makes him feel good about himself, without really knowing or giving a shit about what in the hell these people want or need. Natch, it’s all destined to be a big old mess out of the gate.

image courtesy of AMC

Holy fucking shit, how about Pete Campbell running into his father in law at that whorehouse?  What Pete continually fails to account for is that he’s not Don Draper. He’s married to Trudy, a lady who is generally indifferent to how her disinterest in him has only made him long for her more. He doesn’t have that Draper Charm(TM) nor the charisma.

Pete can’t reinvent himself at every turn; though he doesn’t show it too much, slights and little jabs affect him too much. Back on that LA business trip, Don wanders off to Palm Springs with the Hot Idiots while Pete stayed at the hotel working his ass off. Pete’s a guy who tries incredibly hard to win your favour, while Don naurally assumes you’ll hand it over without batting an eye.

Assuming mutually assured destruction, Pete goes to Kenny for advice on the father in law spotted with a prostitute question. It blows up in his face; Tom has a shitfit and pulls Vick chemical’s business. And when Pete goes to tell Trudy about all of this as some bizarre trump card, he tells her that her father has left him no choice.

But, as Trudy astutely points out, Pete has always had a choice. He just keeps fucking it up and making bad choices. Pete’s overt audacity lacks the critical pairing of Don’s Teflon façade with an otherworldly ability to bounce back from sobering defeats with a plan that sounds juuuust crazy enough to work.. followed up with never bothering to ask anybody if it’s what they might want. Works for Don, but not for everyone else.

“What was your fake name again? Curious George?? You’re a riot.”

Mad Men s6e5: The Flood

“You don’t have Marx, you’ve got a bottle. Is this what you really want to be to them when they need you??”

What up! Hello, hello, we are back in the room. Let’s get down to it, shall we?

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Don has no shortage of epiphanies, but has yet to actually commit to change in any concrete way. Like how his first concern is his mistress when the news hits of MLK’s assassination.. woof, bad look. Maybe the fact that Bobby sees Henry as more of a father figure will be a kick in the pants? Who the hell knows. All he knows of the world is what you show him, Don.

On one end of the spectrum, you have the Horror Movie America that is 1968, with that gargantuan cultural shift over the back half of the decade– as seen with the styles/hair, Peggy’s profesh rise, Dawn being hired, et cetera. And then there’s the people stuck in the same old holding pattern; or in Don’s case, falling back on that familiar pattern of banging around after a prolonged attempt to snap the hell out of it.

So it turns out Peggy and Abe are really wrong for each other, holy shit. She doesn’t get the UES apartment she really wants, while Abe sees the bright side; he imagines raising their hypothetical kids in a more ~diverse place~. K. Peggy is taken aback a bit and happy on the surface since he just revealed way more than he thought he did re:the longview, but also feeling backed into a corner. The age old She Should Be Happy about something like this even if it’s not necessarily what she actually wants. Societal expectations sure are a bitch, especially in 1968; ultimately, they have very different goals.

Ay yi yi, Pete Campbell. MLK is assassinated, and natch he rings up Trudy. Let’s be real, the guy just wants to go home. It’s that splash of self-motivated Pete Campbell Shit masquerading as magnanimous, tale as old as time. When he tells Trudy, “I don’t want you to be alone” he’s really saying he doesn’t want to be alone. Thankfully, Trudy stands her ground; Pete’s made his bed, vainly attempting to forge a connection with his Chinese food delivery guy.

SEETHING || image courtesy of 4plebs

And honestly, this is not to say he isn’t mostly correct in his yelling match with Harry.. but he ratchets it all to the next level because he’s ready to pop the fuck off as it is. Like the dearly departed Dr. King, an exceptional and gifted man, Pete feels as if he has been suddenly ripped from his family. But it’s only sudden to him– we could all see it coming from the fucking International Space Station. Don’t shit where you eat, Pete.

Man, Planet of the Apes is iconic; 1968 is a great year for movies. Don takes Bobby to see it to get out of the house, a tried and true method of dealing with tragic events. Between showings, Bobby chats with the usher about how people like going to the movies when they’re sad; they share a human moment, and Don sees his son in a different light, Bobby’s becoming a more fully formed individual. He’s picked out something Don himself does, inferred it, and Don is taken aback.

image courtesy of AMC

“I don’t think I ever wanted to be the man who loves children.. but from the moment they’re born, that baby comes out and you act proud and excited and hand out cigars but you don’t feel anything. Especially if you had a difficult childhood. You want to love them, but you don’t. And the fact that you’re faking that feeling makes you wonder if your own father had the same problem.
Then one day they get older, and you see them do something, and you feel that feeling that you were pretending to have.. and it feels like your heart is going to explode.”

His monologue about his kids is Don at his best and his most honest, a very rare combination– and to me, the most lovable and relatable. In spite of him and Betty arguing over Adult Shit like logistics, Don shows how much he loves his kids and understands them in his own way, bit by bit. And the feelings he describes about the emptiness and lack of engagement upon their birth and how a sudden blaze of terrifying love can kick in later and punch him square in the solar plexus make sense. Evolving as a man in the 60s; heaps of societal expectations there too. It’s a lot to take in, and Megan is quiet while she processes this information dump.

Brass tacks, I think it’s obvious that Don does love his kids a great deal– he’s not a fuckin sociopath, after all. He is, however, completely terrible at sustaining nearly any kind of healthy relationship for a long period of time. And Don being Don, he’s both emotionally perceptive enough to catch when he becomes alienated from his children, and sensitive enough to feel badly about it.. and hopeless enough to do not much of anything about it.

And even though Roger’s friend Randall is a goddamned lunatic, he has a great bit of burnout wisdom.

“This is an opportunity. The heavens are telling us to change.”