Mad Men s5e11: The Other Woman

“At last: something beautiful.. you can truly own.”

And we’re back in the room! Hello hello, and welcome back one and all. This is a bonkers balls to the wall episode. Let’s yap about our female characters– the three ladies Don can’t control, and he doesn’t like it one bit. Pegs bounces from SCDP to work for the very handsome Ted, Joan takes matters into her own hands with Herb (vile pun intended), and Megan’s auditioning with the possibility of bouncing to Boston for a show. As they’re trying to bag Jaguar, Don’s back in his old car salesman gig for a beat.

image courtesy of Imgur

I dig the way this episode centres around how Don’s predicament creating a pitch for Jaguar mirrors his feelings about ownership and power playing a role with the important ladies in his life. It’s intertwined with his tangible relief when Ginsberg finally comes up with The Pitch, an exhale and a smile. Of course! But that look of satisfaction on his face maybe shows how, secretly (or not), Don might miss being able to Truly Own his ladies on some level. Ginzo’s pitch speaks to Don in the inmost way.

Speaking of non-secrets, apparently Megan is only allowed to succeed on Don’s terms; he has a Fragile Man Feelings meltdown when she tells him she may be spending a bunch of time in Boston for a potential part. But hey, Megan shows from the very start that she refuses to be owned by Don; she pops round to SCDP in her audition dress for a bang during latenight Jaguar work. Megan is the one who initiates said office fuck sesh, and chose to leave advertising for what she really wanted to do with her life.

When Don is confronted with the idea that she might actually be successful, he’s backed into a corner, shouting “Just keep doing whatever the hell you want!” as she leaves the damn room. Good lord.

At the office, Don’s been acting like a dick to Peggy and taking her for granted; she’s had enough once he literally throws cash in her face. What a fucking insult.

Let’s be real, she works her ass off; where’s her goddamned lobsters from The Palm? When she shares good news about a successful pitch on the fly, Don literally throws money in her face as a way to take her down a peg for joking about an on location trip to Paris. Time to take a meeting with Teddy Chaough and split for CGC, to a place where she will hopefully garner more respect.

As Peggy gives her notice to Don, he legit cannot believe she’s splitting. It’s a strange mix of pure ego, regret, and true disbelief. His face goes from an “ahh, you must be fucking with me!” grin to “punted in the solar plexus” heartbreak. Shocked he can’t own Pegs nor keep her around, he figuratively throws more cash in her face, offering whatever salary she wants. But hell no; she refuses to be treated like that, no matter the price, and extends her hand for a farewell shake. Don kisses it and she cries silently; dude is seething once she leaves.

image courtesy of AMC

And now, moving swiftly along to Joan and Herb, the planetary Jaguar creep from NJ. I mean, this is a man in a bathrobe whose idea of foreplay is fervently exhaling “lemme see ’em”. Oy fucking vey.. file under ‘Things Men Say(TM)’.

He insinuates to Kenny and Pete that they will for sure win Jaguar’s business in exchange for a night with Joan; and Herb knows the power he wields. This is no small thing– a car on Madison Avenue means you’ve arrived.

Shocking absolutely nobody, Pete is the one to approach her openly with a business proposition, because of course he is. Is it right to put Joan in that position? Absolutely fucking not, but the other partners seem to be nonplussed, although a little scandalized. Don is the only one who voices an ‘absolutely not’ opinion. And ultimately, Joan does agree; she made up her own mind.

“We’re talking about a night in your life. We’ve all had nights in our lives where we’ve made mistakes for free!”

“You’re talking about prostitution.”

“l’m talking about business at a very high level. Do you consider Cleopatra a prostitute?”

“Where do you get this stuff??”

“She was a queen. What would it take to make you a queen?”

“l don’t think you could afford it.”

image courtesy of MadMenWiki

Lane’s role in this whole thing is a mess. I love the guy, but good lord. He brazenly manipulates Joan to hide his embezzlement and the Christmas bonus shitstorm. Her potential 5% stake in the company would keep the Christmas bonuses afloat in lieu of the lump $50k in Pete’s offer; after all, Lane already extended their credit line without telling the other partners. Honestly– Lane’s not wrong, a partnership is a far better deal for Joan in the long run, but SHIT is it coercive. Dude is obvi desperate to cover his ass.

As smarmy as Pete is, at least he didn’t beat around the bush; he approached her as an equal, laid it out, and got on with it. Was it ideal? Nah. It’s deffo twisted, but Pete didn’t ply her the same way Lane did. He was direct in his own Pete Campbell way– he didn’t approach her out of ego or his ideas of How Women Should Act(TM) either. And when Joan comes back to him with Lane’s partnership notion as her choice, Pete balks but relents once he realises that she ain’t wrong.

image courtesy of Tumblr

Looking at you, Don. When he’s at Joan’s apartment attempting to save her from her assuredly sweaty fate, he says a number of things that sound supportive at face value– even though the deed was already done, unbeknownst to him. His words, though kind, fall under a bit of his How Women Should Act(TM) thing, and it’s deceptively insidious. Sure, Don is “one of the good ones”; but you can still see the shock creep across his face when he pieces together what transpired, in spite of him telling her not to do it. (TALE AS OLD AS TIIIIIIME)

image courtesy of Tumblr

Joan and her (albeit reticent) bang with Herb is the crowning jewel of a woman he cannot control, nor own. Oof.

“The conversation doesn’t end just because you leave the room.”

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