Mad Men s4e2: Christmas Comes but Once a Year

“In a nutshell, it all comes down to what I want versus what’s expected of me.”

Just about sums up life, eh? Let’s see how much of a piping hot mess Don is in this episode..

Sally runs into creeper Glen at the Christmas tree lot. Hating living in the house on Bullet Park Road without her dad there, she expresses how strange everything is; Glen can relate. He takes it into his own hands when the Francises are all out one night, trashing the house with food and junk.. save for Sally’s room, where he leaves a friendship keychain similar to the one she complimented him on at the lot. He tries to make the house as uncomfortable for everyone as it is for Sally.

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image courtesy of Tumblr

At the office, enter Dr. Faye Miller, one of the psychologists SCDP is using for market research. In an intro with a personality test for the senior staff, Don dodges another opportunity to divulge any sort of information about himself.

A man allergic to intimacy, it’s clear that Don’s in a darker place than his usual existential loneliness.. and this is his first real Christmas sans family to boot. He ain’t handling it well; he’s hitting everything too hard. Women whom he would otherwise effortlessly charm are rebuffing his sloppy advances with ease and a touch of pity. Score one for Faye and neighbour Phoebe, I guess.

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image courtesy of Tumblr

Allison reads out Sally’s letter to Santa (c/o Don Draper), and it’s a heartbreaking reminder of the damage the divorce has caused. She tears up at Sally’s wish to have Don there on Christmas morning, knowing that it’s not a possibility.

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image courtesy of Huffpo

The vile Lee Garner Jr is in town, and is miffed he wasn’t invited to the SCDP Christmas party.. which now has to become an actual party much to Lane’s dismay. Faye and Don spar about how someone’s past can influence them today, a point with which Don disagrees. She aptly brings up that his celebrated Glo-Coat commercial is heavily steeped in nostalgia, a certain longing for someone’s childhood.. but not Don’s. He tries to change the conversation by asking her to dinner, and gets shot down.

Natch, he forgets his keys at the office, and Allison does him a favour by running down to the Village to let him in. It’s noteworthy that younger employees have always gossiped about Don, but it was always in the admiring from afar sense, with some sense of wonder; mimbo Joey calling him ‘pathetic’ sheds light on how trash Don is at this point in time. And I guess in an effort to feel something (or anything at all), Don comes on to Allison; she reciprocates and they have a bang on his couch. Awkward.

The next morning is nothing short of a disaster with how Don handles (and not handles) things. He goes to his rhetoric of “this never happened”, so much so that he doesn’t acknowledge anything in the least, and gives Allison her Christmas bonus of a hundy in cash. You can tell he doesn’t feel great about it as she walks out of his office, but not guilty enough to not be a prick. And plus.. you shouldn’t shit where you eat.

So Freddy Rumsen is back, and he’s dry as a bone– but Peggy is thrilled to see him and to work on Pond’s. Freddy has some comically oldschool ideas for the cold cream, whereas formerly oldschool Pegs has moved forward quite a bit. He’s focusing on the marriage aspect of Pond’s, but Peggy wants something more, something deeper that speaks to women.. women like her whose be-all end-all isn’t getting fucking married. She wants to make an ad that speaks to everyone!

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image courtesy of AV Club

BUT, even though her life in the office is super forward thinking and progressive she’s being weirdly old fashioned with her boyfriend Mark. Apparently they aren’t banging because she’s playing virgin.. yikes. Last I checked, she ain’t been no virgin since 1960.. maybe she’s just not so sure about the guy?

Why is Peggy dating this dolt anyway? Freddy peppers her with some absurdly old fashioned advice, firmly saying that she shouldn’t bang the guy if she wants to marry him, since he’ll never respect her.. Y I K E S.

I guess that cemented her opinion of Mark, cause she throws him a bone that night.

Maybe Allison is that gal looking to get hitched, and thought there was something deeper to her tryst with her boss.. as she stares off into space while typing, it’s hard not to feel her pain and humiliation. So uncomfortable. Don may have fucked it up with his best and most competent secretary yet.

“I don’t hate Christmas.. I hate this Christmas.”

Mad Men s1e13: The Wheel

One of my favourite episodes of this series, The Wheel is a sincerely magnificent episode of television. It’s nearing Thanksgiving 1960. Rachel Menken is on an ocean voyage to Paris for a few months, Don finds out via Cooper and his light ‘cowboy’ jab as Cooper knows pretty much everything. Don has no interest in joining Betty’s family for the holiday, and Betty doesn’t understand why he can’t make her family his, and is at her wit’s end. The struggle is real.

A visibly shaken Francine pops by, and confides in Betty that she’s found out that Carlton has been banging around in the city, and right before a huge family holiday to boot. Francine confides in Betty because she thinks she’ll know what to do, and Betty is alarmed at her implication. It seems so obvious to Francine on the outside, and if Carlton is doing it, what’s to say that Don isn’t doing the same?

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image courtesy of TomandLorenzo

(Real talk for a hot second though, who would fuck Carlton anyway? He gross.)

Betty knows deep down that Don is unfaithful to her and won’t admit it to herself, but for what? Out of pride? Wanting to keep up the illusion of the perfect life? She’s been told all along to want this and to be that perfect wife, but is that really any way to live life?

Self-deception never ends well, as reality will always barge in to fuck things up. She seeks out the phone bill to see if he’s been ringing any ladies, and instead finds a more intense form of betrayal. Don has been calling her therapist to get the scoop on everything she’s been yapping about during her sessions, keeping tabs. She’s both relieved and infuriated.

Doctor patient confidentiality wasn’t a thing in 1960, apparently. When Don comes home later on that evening, Betty tells him about Carlton, pointedly saying how awful it is to do something like that to the one you love, asking how can someone could do something like that to the one they love, to gauge his reaction.

“Who knows why people do what they do?”

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I SEE YOU, DON.

Don immediately changes the subject to the whereabouts of their photo slides, and maybe they have an offscreen night of looking through memories together. Sounds nice on paper; but Betty knows it’s hollow because of what she’s found out re:Don’s calls to the shrink, and that their life will most likely be used as part of a pitch.

So naturally, Betty stirs the pot at her shrink’s office. She decides to drop the “my husband is having an affair” bomb not even yet admitting to herself that it’s true, but as she says the words she feels it. I love the crafty switch of her saying this to the shrink, and then at some point in the future Don will be calling him, so he’ll know that she knows. The seed was planted with Francine’s visit, and the wheels in Betty’s head start turning.

“The way he makes love, sometimes it’s what I want.. but sometimes it’s obviously what someone else wants. I suppose it means I’m not enough.. but maybe it’s just him.”

Absolutely spot on, Bets. She’s slowly coming into her own sort of sentience, gradually becoming the person who is strong enough to get on with it and get out of a bad marriage. Breaking out of denial is the first step, gotta yank your head outta the sand.

Let’s talk about the importance of photos in life for a hot second. There’s a scene with Don and Harry latenight in the office; Harry having told his wife about bonking Hildy for whatever reason so he now lives at SC, and Don having just learned his half brother hanged himself and promptly boozing it. They speak about cave paintings and photography, and how these are evidence of someone being there for future generations to see and to wonder. The impact of these things on the time to come.

My apartment is absolutely blasted with photos, its walls adorned nearly everywhere you look. Family, friends, people long gone and the places that I love, beautiful things. Anytime I feel discombobulated, all I have to do is glance at my walls and I am right back to where I need to be again. I am home. Photos are grounding; the very physical essence of connections you have with others, with places, with a time in your life. You can revisit it all.

And this Carousel pitch, it’s fucking iconography right before our eyes.

Fun fact: I have never watched this scene and not cried. Home run. To me, there’s nothing more innately human than seeking out those movie moments in real life, capturing them. Looking at pictures and knowing that whatever you’re doing is OK.. You are OK.

(I also love that Don does exactly what he tells Peggy not to do in a pitch, re:using Latin and sounding like a Valedictorian..)

Pete’s father in law is really hammering him to knock up Trudy, which is sort of terrifying and wildly inappropriate. As he sits down with Pete and states that he wants to treat him as a son, Pete takes this to mean some new business; after all, the guy is an exec at Vicks Chemical, and he wants to look good for Don and Duck. Having a baby isn’t exactly on Pete’s radar right now, and instead, he gets Clearasil.

Don loops in Peggy for Clearasil, and Pete is pissed.. Don therefore promotes her to Junior Copywriter. The way she wrangled the radio auditions with Kenny is pretty impressive as well– here’s a woman finding her way in a man’s world, and owning it.

At the same time that she gets a new office and promotion, she gets a baby she doesn’t want, and it belongs to Pete Campbell. Christ on the Cross, this is my actual real life nightmare, being on an episode of TLC’s I Didn’t Know I was Pregnant. The way she acts about learning she’s pregnant in the ER and how she acts post-birth are telling; she’s far more interested in getting on with her life and getting back to work and her new copywriting job. Her name is Don.

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No thx.

image courtesy of Imgur

There’s this elaborate fantasy of the man Don wants to be, but back here on earth it’s stark, desolate; false starts and empty promises. He portrays such an idealistic existence in the Carousel pitch, but the reality is that he’s disconnected and unreachable to those that should be closest to him. He learns his half brother committed suicide via a phone call with an uninvolved hotel manager. His lover has bounced on some Euro cruise. He’s cruelly alienated his wife.

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image courtesy of Imgur

Betty undeniably has nobody to talk to, so when she spots Glen in the bank parking lot, she expresses her profound sadness to him. It’s upsetting to watch; her desperation and longing to connect with someone is palpable. When the show began, her and Don’s marriage was ostensibly broken beyond repair, and now the cracks are turning into canyons.

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“Adults don’t know anything, Glen..”

image courtesy of Imgur

Don is a man living on the outskirts of his own life, a truly isolated guy on the outside looking in, but this season finale shows that perhaps he yearns for something deeper. Coming home alone to an empty house with Betty and the kids already gone for Thanksgiving, he slumps on the stairs as the idea of his loving fantasy life evaporates. He knows it’s his own damned fault.

He started this episode not wanting to spend time with his family and being flippant about joining Betty and the family for the holiday, and he ends it being unable to spend time with his family. As much as this guy wants to escape all the time, he profoundly yearns to come home to a place where he knows he is loved.

Is it too late? Can he really connect with Betty and be a legit family? Can he be a damn person already?

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image courtesy of Imgur

Time for a brief hiatus between seasons. But fear not, I shall return! Thanks for following me throughout Season 1 of Mad Men. More to come.

And hey, you can find everything I’ve written thus far over here. Adios for now!

Mad Men s1e10: Long Weekend

“When God closes a door, he opens a dress.”

Roger Sterling is into youth and staying young, and this episode makes that pretty evident. Even the 1960 election that’s on in the background, John F. Kennedy versus Richard Nixon, drives that idea home. Does Kennedy’s youth in this era and his familial advantages make him entitled as a result?

Don relates to Nixon more than nouveau riche Kennedy, which is telling. He views Kennedy as the new kid on the block who effortlessly has it all, versus Nixon the self-made man, the guy who became Vice President six years out of the Navy. “Kennedy, I see a silver spoon. Nixon, I see myself.”

Don’s meeting with Menken – Rachel and father – is more of the same; talking about how to modernise their department store and how much more advantageous the new, ‘younger’ version is.

This is the first appearance of an important character, Betty’s father, Gene. He’s got a new ladyfriend Gloria, and though Betty is distressed by the quick changeover, Don dismisses her concerns with the fact that he was previously married for 4 decades. He’s an old guy, he needs a woman’s touch, et cetera– someone to take care of him, from a pragmatic point of view. Don seemingly doesn’t give an emotional connection like what Gene may have had with his wife another thought, and Betty isn’t happy to have her concerns shrugged off.

Joan seems bored of Roger’s last minute idea of getting together over Labor Day weekend, unflappable as always. Even when her roomate Carol comes onto her and clumsily confesses her love, Joan is serene as ever. This is a woman who is generally not rattled by anything or anyone.

Seeing a sliver of Joan’s private life is illuminating. “These men, constantly building them up, and for what? Dinner? Jewellery?? Who cares!” She’s out to have fun and enjoy the city, and is encouraging Carol to do the same. They’re two young girls living in the city, after all!

They bring home some fossils they met at the bar, and where Joan is playful and going with the flow, Carol is stiff and very much sullen. Those dudes are pretty ratchet though, so I can’t blame her.

Double sided aluminum has done a casting call, and since Freddy Rumsen is an Archaic Man of the Time, it’s all young twin 20-something girls. Roger and Don go to pick out a pair to charm for the evening, and end up with these ladies.

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“Now, look far away and visionary.”

image courtesy of Photobucket

At one point Roger’s talking with Mirabelle about his daughter Margaret, not understanding why she’s so angry. He can’t seem to connect with his own teenage daughter, but here he is unloading all of this on an actual 20 year-old.

Roger has a heart attack sometime during round two with her, and she frantically calls for help. Don shoos the twins away, and once the ambulance arrives to take Roger, he’s deliriously asking for said 20 year-old. Don grabs him by the hair and slaps him across the face, reminding him that his wife is Mona.. true bro shit right there.

In the hospital bed, Roger seems genuinely remorseful and broken. He goes on about energy and the human soul, and true to form, Don has no real response for him other than asking “what do you want to hear?” Oy. Then Roger sees his wife and daughter. He’s greeted with love and immediately breaks down into tears, and Don doesn’t know how to process any of it.

The phone call Don has with Betty right after his friend has a heart attack mostly revolves around her trivial complaints about Gloria. This pretty much launches him directly at Rachel’s apartment.

Joan finds out about all this from Bert Cooper, as she goes to the office in the middle of the night. This is the first time you see Joan really react to something – she tearfully types out telegrams to Sterling Cooper clients, as Bert dictates.

Bert: “Don’t waste your youth on age, my dear.”
Joan: “He’s just a friend.”
Bert: “That’s not what I’m talking about.”

Shots fired from Cooper! He read between the lines.

Not to get too Cronenberg, but there’s a few remarks about skin; Roger remarks on Mirabelle’s skin (translucent), later when he’s had his heart attack Don remarks that Roger’s skin seemed like paper. Fragile. Shaken at Rachel’s apartment, Don accuses her of looking right through him.

Don blows his emotional load all over Rachel in the afterglow. Turns out they’ve both got mothers that died in childbirth, though Don’s upbringing is infinitely more dire. This is the first time he’s talked about it aloud on the show, and he chooses to share it with Rachel in lieu of Betty. Lots of Fragile Man Feelings.

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Well, this looks like a completely normal way to lie down.

image courtesy of Mad Men Wikia

At this point, it appears that Rachel might draw some more depth out of him and help him to reform some of his views, but NOPE. Don appears to be nearly static as the series goes on – every character and every thing around him eventually changes, sometimes radically, yet he stays the same. Don is the black hole.

5 Years in LA: A Rare Personal Post

We create our own demons.

(Yeah, yeah, I know it’s a quote from Iron Man 3, but bear with me here.)

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Utah rest stop view. pretty boss.

My 5-year LA-iversary is today, and I felt it fitting to jot some personal nonsense down in here. On this day, I rolled up to my new home and life right around .. now. Living here has been a formative experience, and I was a different person when I pulled out of the driveway of my NJ childhood home in 2011.

Looking back on my 20s and my formative years has always been mortifying, to be completely honest. I read and reflect on the things I used to feel, things I used to care about, and the shit I used to say and how I treated people and I am mostly .. upset. Not that I was ever some monstrous lunatic hellbent on world domination, but I definitely could have treated people with more care. I took things and people for granted, I lived my life recklessly and did whatever whenever (within reason, obvi).

And if I’m being realistic, I don’t regret most of it; after all, that’s what your 20s are for. But if I could go back in a time machine, I’d be kinder. That’s really the only thing I’d change.. more patience, more kindness. It’s one of the notions my mother stressed as The Most Important Things in Life, and of course she’s spot on. I guess being a human dumpster fire was my way of rebelling for whatever unknown reason. Looking back and surveying the damage was daunting.

Now, I know none of this makes me some ~unique snowflake~. Nearly everyone I encounter is horrified by some aspect of their past; I felt the need to write because I’ve never talked publicly about any of this. I play everything pretty close to the chest. I’ve touched on it, sure, but never gone into any sort of detail.

This all started partly because I’ve been getting a lot of emails/actual mail about my 10 year (!) college reunion, which was last weekend. Generally irritating, but also a fact of life; college is a time that I do not wish to be reminded of in the least, but I feel compelled to reflect. I graduated in 2006, and never looked back. Even with my BA in hand, I generally felt like a listless shitperson next to my classmates with business degrees and jobs lined up. Me? I was going to work at The Gap, and take it from there. Christ.

I mostly remember my graduation day as a day of people being mad at me, and they weren’t really wrong for that. I was also voraciously hungover and it was hotter than actual hell outside; one of those thick, soupy-dank east coast summer days.
So! At 22, I had my degree and no real Plan(TM) except to not be in college anymore. I think about the way I avoided everyone and everything on campus after my volatile relationship self-immolated and some tenuous-at-best friendships went south, and I feel mostly embarrassed by it now. I shut out the few friends I had on campus, my lifelong friends from home really didn’t know what was going on either because it was just a goddamned mess. I was friends with some vaguely toxic people, and rolled with the punches.
It was all ~so dramatic~ but it was one of those really intense relationships with a really intense person. Good learning experience, very bad timing and everything else. Everyone’s got one of those people, and it preferably happens in their late teens/early 20s so they can get the fuck on with real life afterwards.
My version of this trope had a bonus; pile on Actual Heavy Things to Deal With as a late teen/early 20-something and it turned into fucking Hiroshima. Truth was I had no clue what the hell I was doing and chose destructive ways to get on with it and move forward because I frankly didn’t know any better.
dog_thisisfinefile footage of me circa 2002-2008. image courtesy of Tumblr

 

This continued for a bit in some form, then I got a full time job doing tech support for The Fruit Stand, and things seemed to even out for a beat before the roof caved in. When mom died, I was 24 and overall a human mess who was working 70 hours a week.
And then the 2008 stock market implosion happened and I lost that job shortly thereafter, as did most everyone else I knew. I remember it vividly, it all happened over the course of about a month. Everyone seemed shaken, like the earth had suddenly stopped rotating and we all fell over, powerless and drawn back home. Looking back on all that, it was a really healing time for me in the midst of all this massive uncertainty. Tons of people I knew had lost jobs and had to move back to where we grew up, and it became a bizarre remix of high school all over again. Bittersweet, but fun.  I feel like this is what saved me.
During this time, I hung out with some really nice people, reconnected with old friends, and went on some really nice dates, but I was so fucked and in this black hole of a headspace that any perceived kindness sent my way I instinctively read as false; really fucking cringeworthy.

2010 in particular was a strange year of unemployment and anxiety and stress framed with a lot of fun, late nights, and coming back out of my shell thanks to actually being close with people again. Slowly but surely I felt like I had value again, and that I was someone worth knowing.

At this point I was beginning to excavate my core so I could get back to being a Human Lady in a Society of Rules. I had no fucking idea what my next step was, but I knew I needed to change. I started surrounding myself with positive people and genuinely made every effort to be less awful. I axed trash people along the way and felt free.

Moving to Los Angeles has given me the rare gift of forced perspective that I badly needed, and I hope it’s not too late. I laid really good groundwork in NJ, but blasting off out of my comfort zone was that final push I needed to vaguely get my shit together. Or at least impersonate someone who had their shit together.

For all intents and purposes, I’ve lived a charmed life. Nowadays it’s trendy to talk about Privilege(TM), but brass tacks– what could I possibly have been so fucking unhappy about? I grew up in a really great area, surrounded by a rotating cast of good people who stuck by my side for nearly 27 years. I never had anything truly horrendous happen to me, yet I was lost.

I have wonderful parents, a strong family support system, and friends who feel more like family since we all grew up together in multiple senses. And yet, I had this lethargic rancor eating away at me. For whatever reason, in spite of all of this, I shut off at any sign of closeness. Maybe it was the past relationships gone sour, maybe I got too into my own headspace. Maybe I had focused on the wrong things.

It hits me in waves to this day, how many fucking great friends and family I’ve got, how lucky I really am. It sincerely overwhelmed me at the wedding last year, all that love and kindness. Why did I push it away with both hands for so long? The hell was that all about? Awkward.

As I dug deeper, I had longed for something indescribable. I always felt hollow at the end of the day, some static hum. I would stay up all night because the morning sun made me feel better somehow, a habit I picked up in the depth of being a college shithead with too many feelings/no feelings at all. But when I eventually started to turn shit around in 2009 and firmly place my gaze toward what was in front of me, that was the turning point. Suddenly a weight had been lifted, like mom coming back to me and saying, “knock this shit off already and get on with it”. Guess I was finally ready to listen.. and somewhere, mom is replying, “about fucking time”.

Driving out to California was more cathartic than it was intimidating or sad. It’s been a second chance, a clean slate for me. I met my husband here, I’ve been able to start relatively fresh these past 5 years. I’ve been faced with my own bullshit, felt it all, and essentially gotten on with it with confidence. Taking ownership and responsibility for past garbage behaviour has been equal parts humbling and uncomfortable. Shedding any lingering negative people has helped as well.

When Nick and I met at San Diego Comic Con in 2011 and I soon figured out that he was more than some one night rando to add to the carousel, I was objectively fucking terrified. I had a terrible track record with prior relationships, and generally felt inadequate in that regard.

When someone says enough nasty mean-spirited shit to you, friends and exes alike, you start to believe it. I absorbed it all, though I tried my best to be Teflon. But as I reflected and shared all the good, the bad and the ugly with him and received acceptance and love, I was fucking stunned. Everything just turned to colour.

So, what the hell does this all mean? How can I wrap this up neatly? Truth be told, I can’t. Just gotta keep on going.

We create our own demons, but there’s so much more; we’re in charge of our own future. Shape it into whatever the hell you want, and try your damndest to allow the past messes to impact you positively.. and always be kind*. That’s what I’m taking away from it all, and what I’ve been working on this past half decade.

 

Thanks for reading this mess.

 

*(unless the person is a maniac asshole, then they should be shot into space.)

Sorry, Ghostbusters; nope.

Not to be a buzzkill, and I understand that pretty much everyone I know is popping boners for the new lady Ghostbusters movie trailer that just dropped, but as a whole it honestly does nothing for me. I’m actually a little repelled. Why is that exactly?

Nostalgia doesn’t do a hell of a lot for me, truth be told. Never has. The re-hashing of Ghostbusters seems to have lost what made the original so great; that movie had heart, subtle humour, and a good core science fiction story. It seems like they missed what made that first movie great; the same phenomenon happened with Jurassic World.

I know this is just a trailer, but comedy today has really lost something with this current generation of writers and comedians. I feel as if I no longer understand the path they’re choosing with comedy specifically.

Get off my lawn.

Modern comedy seems to have devolved into some sort of smug neo-SNL ‘THAT’S THE JOKE’ pointedly awkward mess. I haven’t genuinely enjoyed a comedy in years, and that’s really a shame. Sometimes the comedy aspect will work for a good chunk of the movie, but completely fall the fuck apart in the second or third act.

Trainwreck was on its way to being an enjoyable feminist fairytale of a foul-mouthed party girl who has it all; the career, the apartment, a shameless proud sex life, and perhaps a guy who could share it all with her if she so desired. I was on board, I was into it!

And then they sent it straight to hell towards the end of the second act where the protagonist has an emotional breakdown because, basically, women aren’t “supposed” to be that way, and she has to Settle Down(TM) like her bland-ass sister and OH MY GOD IT TURNS OUT THAT’S WHAT SHE’S BEEN YEARNING FOR ALL THIS TIME BUT FELT TOO UNDESERVING OF IT AND HAS LOW SELF ESTEEM AND THAT’S WHY SHE’S THAT WAY IN THE FIRST PLACE. Woof.

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File footage of me in the theatre when that happened. image courtesy of Reddit

And I get it, I really do. People change, people move forward with their lives, that’s how shit works; but you don’t have to denounce what you were doing in the past or who you once were to get there. For Christ’s sake, own that shit; it makes you who you are.

Am I totally mortified at the nonsense I used to do and say? Abso-fucking-lutely. But I would not be who I am today if I was not that vague garbageperson yesterday.

Can’t she just be her damn self and be different and embrace it? I identified heavily with her character in the first half of the movie, truth be told. I was really rooting for Trainwreck to be about how you can be a different and unironic woman, still enjoy yourself in ways that feel true to you, and actually find someone to share that with who won’t think you’re a shell of a person because you’re not The Norm. Too bad it blew up into Romantical Garbage territory and immediately caught on fire. Why does the fact that this lady is different automatically make her Bad?

I look back on the comedies of yore, and I guess the difference is that they’re consistently written well, they’re simple, and have heart. Ace Ventura isn’t trying to serve some greater idea of people-dom, it’s simply a well put together story about a passionate maniac who loves animals, yelling, and solving mysteries. Uncle Buck offers some great insight into being proud of where you come from, and that being different or weird isn’t bad, you need to own it. Tommy Boy tells the story of a goodhearted (though dumb) character who has been told all his life that he’ll only ever be the funny fat party guy, but it turns out he can really accomplish things and defy the odds if he set his mind to it.

The fact that the protagonists of these movies are all men isn’t lost on me either, by the way. To me, the point of those comedies is universal. They didn’t have to be women in order to really speak to me.

Somewhere along the line, I guess that idea got lost. The times are changing, and I’m in no way saying that’s a bad thing; I think we aren’t quite there writing-wise yet. They’re still searching for ways to make female characters who are different have some sort of ~tragic backstory~ or some shit to explain why they are that way instead of just .. being themselves as characters, like they fucking write men. It’s especially confusing when the writers of some of these female characters are women. How the hell does that happen?

I agree that the representation of women in film is extremely important, and it’s always great to see ladies kicking ass, but I disagree that these more recent movies should be seen as AUTO-FANTASTIC because of #women. Mad Max: Fury Road is a good example of that. Sort of a misfire plot-wise, but everyone collectively shit their pants because WOMEN. When I tried to look a little deeper at that movie, I came up empty-handed and sort of confused at the Tumblr fanaticism surrounding it. I agree that it’s incredibly well-crafted and envisioned, but it fell flat to me.

There’s so many other, better places to find female characters who aren’t awful.

Bridesmaids was, for all intents and purposes, intolerable. It exemplified everything I can’t stand about comedy today; pointing at a joke that was just made to make sure the audience got it, gratuitous gross-out stuff, try-hard writing crystallized into catchphrases specifically for t-shirts and memes.. the list goes on. Yet everyone lauded this movie for its’ fresh take and all female cast! MESS. I felt like I was taking fucking crazy pills.

Mean Girls, on the other hand, works perfectly. Good storytelling with emphasis on being yourself, and what that means as a teenage girl. It’s not tryhard or over the top, it’s actually funny, and has a good message. Alright.

Kill Bill is an example of a fantastic female character. (..though not necessarily a comedy depending on how you look at Tarantino..) Beatrix Kiddo has agency. She’s wild, strong, and kicks several asses, but she has a softer side as well; and she’s not ashamed of who she is. Her journey as a character is relatable, even though she’s an assassin.

The core reason that the Ghostbusters trailer/idea doesn’t speak to me is that I grew up in a house where there were no limits as to what I could be or wanted to do. I was never told “no” to something because I was a lady.

Yeah yeah, I know some of you are gonna shriek PRIVILEGE here, but that’s my truth. I feel really lucky and #blessed to have grown up that way. My mother was an extremely positive role model for me, and she always encouraged me to follow my dreams and be completely unashamed of who I am no matter what other people said. Feminism wasn’t something that we ever spoke about explicitly, it was just understood. It was/is life.

The first time I distinctly remember my mom changing my life, I was 7. I was having some issues with a friend being a jerk to me, and was truly upset about it and felt badly about myself as a result.

My mom’s response? “Eh, to hell with her.” She spoke to me as a peer. Totally changed my perspective on the issue at hand, and she reinforced that so long as I wasn’t being hurtful, I was a good person and should always be proud of who I am. There will always be people who don’t dig you, but focus on the ones who do. Truth bombs.

On the other hand, I completely understand why this movie needs to exist. There are so many women of all ages who didn’t grow up the way that I did, and look to pop culture for female role models. So that’s definitely positive. I’ve done the same at times, and I can’t hate on that. Admittedly I am still searching for a female character I can entirely relate to, without the plot twist of that lady being a deeply unhappy garbageperson with low self esteem who needs to change in order to be ‘acceptable’. Fuck that shit.

I gotta say though.. all these fuckboys wailing about the lady Ghostbusters are giving me a little bit of life. Fragile Man Feelings(TM) are the silver lining here.