“The only thing keeping you from being happy is the belief that you are alone.”
One of my favourite episodes right here, my god. Roger and Bert wrestle for a bit over the PPL merger, but come to an agreement. Meanwhile, Don disembarks from a San Pedro bus, the Pacific Ocean greeting him. Where in the fresh hell is he going?
Betty catches Sally smoking a cigarette in the bathroom! The horror.
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Natch, Betty is more concerned with Sally burning the house to the ground rather than the fact that she was, you know, smoking an actual cigarette, but whatevs. Locking her in the closet as a temporary punishment, Sally shrieks that Don left because of Betty, because she’s “stupid and mean”. She doesn’t understand why Betty won’t let him come home. Looks like the idea of separation without telling the kids isn’t so hot, Bets. Kids are smart little people, they catch on to things..
Aaaaand, flashback! Picking right up from The Gold Violin, Don is at his shit apartment with the blonde woman; he’s been found out. She’s his wife — the real Don Draper’s wife, that is. He quietly tells her that he died, and that he’s sorry. That they got mixed up at the hospital, “I just had to get out of there”. He introduces himself as Dick Whitman, and she is Anna Draper.
“Well Dick, what do I do with you?”
Back to the present day, a door opens and that same blonde woman is behind it. Looks like he’s visiting Anna in California! Some weird kid is in the midst of a piano lesson at her house, rapping away at ‘In the Hall of the Mountain King’. Don introduces himself as Dick, and right away, seems different than the guy we know from New York. Calmer, happier, a little more genuine.
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Almost immediately you can tell that he and Anna share a deep bond. She’s loving and sincere to him; Don is shaken and sad, not his usual bulletproof exterior. Unlike his home in Ossining, here he is welcome to have a shower and a lie down. No judgement from Anna’s end of things.
Infuriated that Trudy booked a meeting with an adoption agency behind his back (while receiving praise from Hildy), Pete loses his whole entire goddamned mind when he gets home. They have a yelling argument about it, he screams out “HELL’S BELLS, TRUDY!” .. And then he launches a fucking whole roast chicken dinner out the window!
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Who on God’s Green Earth does that?? What a complete fucking lunatic. Iconic Pete Campbell outrage.
Collateral damage from the dinnerpocalypse, Pete’s father in law buzzes him at the office to let him know Clearasil is now under review. Pete ain’t happy about it and can see right through him, totally flies off the handle at Tom, tells him to pull Clearasil anyway. Probably for the best.
Adding to the “Greg is an Asshole Manbaby” report, he gets all butthurt that Joan tries to take control and give him a good bang. Ugh. It’s also implied that her sexual history is a problem for him, double ugh. More on that to come.
Post-shower and nap, Don and Anna chat on the porch. Anna is pretty much the only link to his past at this point, to who he really is. Don can be himself around her, let his guard down. He can say things he would never say to Betty. He can admit fault, he can talk about how he really feels without fear of tarnishing the image he’s so carefully curated.
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Anna has always felt that they met so that both their lives could be better, which is a lovely way to look at things when it could have so easily gone south. At one point, Don is fixing a chair for her, unlike the one he failed to fix at Casa Draper.. which Betty ended up destroying. And it’s revealed that Don mailed that copy of Meditations in an Emergency to her as well.
“I have been watching my life, it’s right there.. and I keep scratching at it, trying to get into it. I can’t.”
Don doesn’t know who he’s supposed to be or what he’s supposed to do, or how to mend things; so he wanders.
Flashback to the Christmas Eve right after Don and Betty met, Don is in California with Anna. Don speaks of Betty in the lavender haze, talking about how she’s so beautiful and happy. “I just like the way she laughs, and the way she looks at me.” He expresses gratitude to Anna, how if it weren’t for Don, his entire life in New York wouldn’t be possible.
Anna reminds him that meeting Betty and having a family is a chance at a whole new life, a really positive thing for him. She is over the moon that he’s found love, but she’s got to grant him a divorce first.. just a minor snag! Ha.
Peggy’s Catholicism-infused Popsicle pitch goes perfectly. Virgin Mary-esque artwork depicts a holy mother granting a snapped popsicle to her kids, two equal pieces, love, all that jazz. She knocks the pitch out of the park. Don who?
Betty rings Sara Beth to yammer about Sally, but really she’s ringing about her pot stirring. She brings up the stables, and their conversation turns to Arthur. Acting as a confidante, Betty prods her for more information, then turns it on SB playing the morality card when she pieces together that they had a bang. SB is devastated that Arthur is set to be married that weekend and is absolutely sick over it; Betty relishes in it a tiny bit.
“No one made you sleep with him!”
DAAAAAAAMN. Way harsh, Bets. Guess that friendship’s over!
The gargantuan Xerox machine has finally outstayed its welcome as Peggy’s officemate. Time for something better. At the end of the day, Peggy asks for Roger’s blessing to move into Freddy’s now vacant office, feeling deserving of it due to the Popsicle success. “You young women are very aggressive. There are 30 men out there who didn’t have the balls to ask me!” Amazing. Her wish is granted! Moving on up.
Joan’s fiancé Greg meets her in the office to head off for a dinner date. Vexed by Roger knowing that she doesn’t like French food, he strangely feels the need to assert himself as the alpha male in her life, and the one in control of their relationship. And in one of the most upsetting and shocking scenes on this show, he pins Joan down to the floor of Don’s office and has his way with her right there on the carpet very much against her wishes.
She tells him very clearly to stop, but he rests on the idea of “this is what you wanted, right?”, referring to the other night, showing her who’s really in charge. Gross. As she submits and stares off into the distance, it’s utterly chilling. Where is that perfect life she had envisioned for herself, marrying a doctor and living happily ever after? Greg is seriously so fucking vile, a truly subhuman trash heap. After she spruces up, they head off to dinner, roses forgotten on her desk.
Don yaps with some car guys, expressing an interest in building custom cars, working with them. There’s something about that all-American blue collar life that magnetically draws him, and he’s flirting with staying out in California. Maybe he can reboot his life out there. He introduced himself as Dick, trying it on for size. Again, his demeanour is different than the Don we’ve seen, he’s more at ease; a happier guy on the outside.
Kinsey is back, turns out Sheila dropped him a few days into their trip down south, shocking nobody. He and the junior execs are all pissed about Peggy’s new office, especially Harry. Tough titties, Harry.
As Peggy is moving into her new office, Joan lets her know the nameplate will be changed out ASAP, and chats about her wedding a bit. She seems envious as Peggy is moving up the ladder, and Peggy seems wistful that Joan is getting married.
In Ossining, Betty tries to have a more adult conversation with Sally about what’s going on at home. She speaks to her simply, that she and Don are “having.. a disagreement. And he went away.” Betty admits to Sally that she doesn’t know where Don went, which is pretty unsettling. Just then, Betty notices she’s lady bleeding.. not good.
Congratulating Peggy on her new digs, Pete confides in her that Don disappeared in Los Angeles. She expresses worry while Pete wants to talk shit, which is pretty typical. I feel like she reminds him to be less of a dick sometimes. Tough job, but someone’s gotta do it.
image courtesy of EW
And there goes Don, ruining a pair of khakis and a perfectly good leather belt in the Pacific Ocean.
“Let Roger Sterling have what he always wanted– to die in the arms of a 20-year old.”