Mad Men s4e2: Christmas Comes but Once a Year

“In a nutshell, it all comes down to what I want versus what’s expected of me.”

Just about sums up life, eh? Let’s see how much of a piping hot mess Don is in this episode..

Sally runs into creeper Glen at the Christmas tree lot. Hating living in the house on Bullet Park Road without her dad there, she expresses how strange everything is; Glen can relate. He takes it into his own hands when the Francises are all out one night, trashing the house with food and junk.. save for Sally’s room, where he leaves a friendship keychain similar to the one she complimented him on at the lot. He tries to make the house as uncomfortable for everyone as it is for Sally.

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image courtesy of Tumblr

At the office, enter Dr. Faye Miller, one of the psychologists SCDP is using for market research. In an intro with a personality test for the senior staff, Don dodges another opportunity to divulge any sort of information about himself.

A man allergic to intimacy, it’s clear that Don’s in a darker place than his usual existential loneliness.. and this is his first real Christmas sans family to boot. He ain’t handling it well; he’s hitting everything too hard. Women whom he would otherwise effortlessly charm are rebuffing his sloppy advances with ease and a touch of pity. Score one for Faye and neighbour Phoebe, I guess.

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image courtesy of Tumblr

Allison reads out Sally’s letter to Santa (c/o Don Draper), and it’s a heartbreaking reminder of the damage the divorce has caused. She tears up at Sally’s wish to have Don there on Christmas morning, knowing that it’s not a possibility.

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image courtesy of Huffpo

The vile Lee Garner Jr is in town, and is miffed he wasn’t invited to the SCDP Christmas party.. which now has to become an actual party much to Lane’s dismay. Faye and Don spar about how someone’s past can influence them today, a point with which Don disagrees. She aptly brings up that his celebrated Glo-Coat commercial is heavily steeped in nostalgia, a certain longing for someone’s childhood.. but not Don’s. He tries to change the conversation by asking her to dinner, and gets shot down.

Natch, he forgets his keys at the office, and Allison does him a favour by running down to the Village to let him in. It’s noteworthy that younger employees have always gossiped about Don, but it was always in the admiring from afar sense, with some sense of wonder; mimbo Joey calling him ‘pathetic’ sheds light on how trash Don is at this point in time. And I guess in an effort to feel something (or anything at all), Don comes on to Allison; she reciprocates and they have a bang on his couch. Awkward.

The next morning is nothing short of a disaster with how Don handles (and not handles) things. He goes to his rhetoric of “this never happened”, so much so that he doesn’t acknowledge anything in the least, and gives Allison her Christmas bonus of a hundy in cash. You can tell he doesn’t feel great about it as she walks out of his office, but not guilty enough to not be a prick. And plus.. you shouldn’t shit where you eat.

So Freddy Rumsen is back, and he’s dry as a bone– but Peggy is thrilled to see him and to work on Pond’s. Freddy has some comically oldschool ideas for the cold cream, whereas formerly oldschool Pegs has moved forward quite a bit. He’s focusing on the marriage aspect of Pond’s, but Peggy wants something more, something deeper that speaks to women.. women like her whose be-all end-all isn’t getting fucking married. She wants to make an ad that speaks to everyone!

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image courtesy of AV Club

BUT, even though her life in the office is super forward thinking and progressive she’s being weirdly old fashioned with her boyfriend Mark. Apparently they aren’t banging because she’s playing virgin.. yikes. Last I checked, she ain’t been no virgin since 1960.. maybe she’s just not so sure about the guy?

Why is Peggy dating this dolt anyway? Freddy peppers her with some absurdly old fashioned advice, firmly saying that she shouldn’t bang the guy if she wants to marry him, since he’ll never respect her.. Y I K E S.

I guess that cemented her opinion of Mark, cause she throws him a bone that night.

Maybe Allison is that gal looking to get hitched, and thought there was something deeper to her tryst with her boss.. as she stares off into space while typing, it’s hard not to feel her pain and humiliation. So uncomfortable. Don may have fucked it up with his best and most competent secretary yet.

“I don’t hate Christmas.. I hate this Christmas.”

Mad Men s4e1: Public Relations

“I can use my expense account if I say they’re whores!”

Welcome back, and welcome to 1964! It’s nearly a calendar year from where the Season 3 finale left us, and Sterling Cooper Draper Pryce has an actual office that isn’t a hotel suite; they’ve got some cool new digs in the cushy Time Life building. Maaaaagic.

“Who is Don Draper?”

Bombing out in an interview with Advertising Age, Don supplies glib bullshit answers to the reporter’s pointed questions about his work and who he is, pretty much saying fuckall. Shocker. The problem with this approach is that he’s no longer just that stupid talented mysterious guy in the corner office, he has to be the fucking face of SCDP; a creative figurehead, the man behind the curtain. And we all know how much Don loves talking about himself.

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image courtesy of Imgur

But hey, Don is in a great place professionally; he’s legit blowing up. He’s calling the shots and running things his way, making a lot of money, and he’s got acclaim for the Glo-Coat commercial.. all the while his personal life is a raging tire fire, burning into the eternal night. Seems like Don is at his best in the office when shit at home is a mess.

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no time for your shit. || image courtesy of Tumblr

His attitude in meetings is more aloof than ever, while being incredibly sharp; the way he shuts down those Jantzen prudes is outta control, he’s got precisely no time for garbage at this new agency. This guy is forward thinking and takes risks, and he’s lost everything he ever (thought) he wanted in his personal life.

Our characters are exploring new terrain all over this episode, slowly adjusting to the new normal. Betty now has a mother-in-law (a hard-ass woman at that) and an extended family; she’s also got a more attentive husband and is learning how to be a person sans Don. She’s overly harsh on Sally during Thanksgiving dinner, still not quite sure how to navigate that relationship.

Understandable growing pains and lots of negative shit are to be expected, but Hank Frank takes it all in logical stride; he really loves that difficult woman. They even have a bang in the car, harkening back to their first kiss in Betty’s car. YEAHHHHHH

Going on a date with the poor man’s Betty, Don is vaguely bemused with Bethany. Brass tacks, homegirl is an idiot, but she’s young so I guess she gets a pass? Maybe? Ah well. Roger and (mostly) Jane seem determined to set him up with someone, just because.

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image courtesy of Tumblr

Dating doesn’t seem to suit Don at all. Skipping out on Thanksgiving at Roger and Jane’s and no plans with the family, Don’s plans include being mounted and slapped in the face by a hooker. Looks like he bones this lady on the reg, indulging his own self-loathing with a healthy dash of mommy issues.

His personal life really seems a lonely mess, and he’s boozin’ a lot, even for him. When Peggy needs bail cash for the ladies she and Pete paid off to fight over a ham, Don takes it all out on her unsuspecting bland boyfriend Mark, whom she brought to lessen the inevitable blow.

Joan has her own office, and is still the consistent go-to for everything. Glad she’s getting some recognition as the person who steers the ship, though she shouldn’t be getting sunburned tit Harry Crane a coffee. And it’s nice to see Peggy argue right back with Don when the Sugarberry Hams stunt goes south, her confidence is awesome to see. Roger is back in the saddle and full of beans, Pete is more secure in his footing.. everyone seems to be moving forward at a pretty brisk clip working together, conference table or no. Even Allison is back!

However, Don’s shite interview in Advertising Age has real consequences for the firm; being in such a small space equals his actions have actual meaning, something that is clearly not a thing to Don. Ya fucked it up. He takes it out on the straightlaced Jantzen guys by blowing up their meeting, and immediately rings Cooper’s guy at the Wall Street Journal to have a redo of that interview. Taking that feeling by the balls, he is cocksure and rewrites history ever so slightly to sound fucking awesome to this guy. Way better.

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image courtesy of Mad Men Wikia

So, what’s it going to be? Comfortable and dead, or risky and possibly rich? Sounds like a mantra to me, looking at how Don has evolved. SCDP sure seems intensely personal to him, especially for a man who won’t reveal a damn thing about himself. Let’s see what happens!

“You know something? We are all here because of you. All we want to do is please you.”

Mad Men s3e13: Shut the Door. Have a Seat.

“You come and go as you please.”

Here we are at the Season 3 finale, and it’s a fucking good one. Right out of the gate, Conrad Hilton lets the A-bomb drop that PPL and Sterling Cooper are being sold off to McCann Erickson effective January 1st, and Don ain’t pleased. Who the hell wants to be a cog in the massive McCann machine? Looks like Jim Hobart is back to haunt Don.

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image courtesy of Bustle

This episode is peppered with flashbacks to his childhood, where the farm isn’t doing well. Archie is attempting to make a deal, and outright refuses to settle for less than he’s worth; he splits from the co-op he’s involved with, telling everyone to get the fuck out. Looks like Archie and Don have something in common after all.

Urging Archie to sell his crop for fuckall, he angrily complies with Abigail’s wishes. As he’s getting set to give it all away, he’s killed by that horse as Dick watches on in the night; should’ve stuck with your guns, Arch.

As shit falls apart, Don scrambles for an idea to make it all come back together again. He’s not gonna end up like his father. Ironically (or probably not), Don seems to be at his professional best when his personal life is a complete mess. He’s equal parts intensely focused, enthusiastic, and pissed off, abuzz with anxiety; he wants to build something of his own and pleads his case to Bert and Roger.

“You’re not good at relationships because you don’t value them.”

Shots fired from Roger, and he ain’t wrong; Don is shook. He admits defeat with Hilton, he’s certainly no account man; Don needs Roger and his talents along for the ride. It’s revealed that he does, however, value his relationship with Roger. Bert (taking a page out of Lane’s book) seals the deal for Roger to join up with them via a vanity jab.

At home, Betty bluntly lets Don know she’s made an appointment with a divorce lawyer. Trying to minimise her feelings again, he treats her like a child by saying she’s had a rough couple of weeks. Super slimy shit, Denial Don.

Don: “Forget it. I’m not gonna let you break up this family.”

Betty: “I didn’t break up this family..”

Get this motherfucker to the Burn Unit.

Betty and Henry meet with his attorney, who reveals a magical divorce loophole.. looks like they’re headed to Reno to establish residency and get on with it. Henry, in order to not drag things out, insists that he’ll provide all she could ever need in life; he doesn’t want her owing Don anything. An incredibly kind gesture, one that Betty is not accustomed to.

A clean break.. and then drunk Roger lets the fucking bomb slip re:Betty’s new sidepiece and Don ain’t pleased. He’s drunk, pissed off, and truly nasty to her; they both know he crossed the line. Ugly shit. Marriage over.

Lane is let into the conversation, and doesn’t yet know that PPL is being sold along with Sterling Cooper. Incredulous, he rings London to find out what’s up. Saint John confirms that PPL is indeed being sold as well, and realising that he would be left to flap in the wind, Lane is ticked that he hasn’t been considered beyond a cog in a gigantic machine who will statically “prove himself irreplaceable”. Man, fuck PPL.

In a moment of great storytelling, Lane’s indubitable authority to fire anyone at the firm was set up way back in the season premiere. And this is the lightbulb moment, the one Don was trying to crack.. in one fell swoop, Lane can sever Don, Roger and Bert’s contracts by giving them the sack. There’s a partnership on the table for Lane, and the negotiations begin.

“Well, it’s official: Friday, December 13th, 1963.. four guys shot their own legs off.”

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image courtesy of IGN

And thus Don pulls off another hobo move, a truly great escape.. by managing to trash the contract that’s vexed him.

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image courtesy of Tumblr

Time to snag some accounts, which means it’s time to see faux sick Pete Campbell at home. Admitting that Pete has been ahead of the curve on loads of things, and that he’s a valuable person to have on board for the new firm moving forward, Don and Roger implore him to come along for the ride; Pete agrees, finally receiving the recognition he’s wanted since the pilot. Like everyone else on earth, Pete wants to feel valued.

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image courtesy of Vulture

Before getting everything firmly in motion for the new agency that weekend, Don and Betty have to tell Sally and Bobby about their divorce. It does not go well, with Don attempting one last time to shape the narrative to his own reality, saying it’s only temporary. “Nobody wants to do this.” No shit, Don.

Completely failing at getting Peggy to jump ship and go with him on Friday, Don follows up at her apartment. The first time around he essentially ordered her to come with; he’s been such an aloof haughty dick to her this whole goddamned season, it’s not shocking that she turned him down. Having that horrendous conversation with his kids humbles him just a touch, and it dawns on him that he doesn’t want to see important people in his life slowly slip away because of his own shit actions.

“Do you know why I don’t want to go to McCann?”

“Because you can’t work for anyone else.”

“No.. because there are people out there who buy things, people like you and me, and then something happened. Something terrible.. and the way that they saw themselves is gone. And no one understands that.. but you do. And that’s very valuable.”

“Is it?”

“With you, or without you, I am moving on. And I don’t know if I can do it alone.. will you help me?”

“What if I say no? You’ll never speak to me again..”

“No. I will spend the rest of my life trying to hire you.”

That’s how you get Peggy on board, Don. Gotta be genuine. He knows they are alike; they’ve both had experiences that set them apart from the crowd, that make them see the world a little differently as a result. He understands and appreciates Peggy, and he manages to salvage their relationship in that moment.

Watching all of this come together is nothing short of magic. Getting the old team back together (with Joan!), albeit pared down, is done in a series of jazzy sequences like those of a good heist flick. This entire season has shown some very strained relationships at Sterling Cooper, making this reunion and these character reconciliations have real weight.

As everyone sits down to sandwiches via Trudy, Don rings Betty; the tone is entirely different from the last time they talked. He’s apologetic and an actual human person, emphasising that he won’t fight her in the divorce. He hopes she gets what she’s always wanted, the fulfillment and emotional support he completely failed to provide. Looks like that jab about valuing relationships really sank in.

“Good morning! Sterling Cooper Draper Pryce, how may I help you?”

Will the future be better than the past like Roy Orbison croons in the closing scenes? Here’s hoping. Sterling Cooper Draper Pryce will assuredly be a different agency with a forward-thinking point of view; after all, it’s a pivotal moment of the 1960s.. it’s time to get on with it.

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image courtesy of Tumblr

That’s all for 2016 here! I’ll resume with Season 4 posts in the New Year.. and here’s hoping 2017 is less of a fucking dumpster fire. Check out what I’ve written here Mad Men-wise thus far.. and thank you all so much for reading! Happy Christmas, Festivus, Hanukkah, and all that junk.

“Very good! Happy Christmas!”

Mad Men s3e11: The Gypsy and The Hobo

“You were adrift, you didn’t do anything but spend money. You walked around like you were hoping to be a character in someone else’s novel.”

Fucking iconic episode right here; the shit is about to hit the fan. Betty’s let that mystery box marinate for a bit now, and is planning on taking the kids outta town for Halloween to see her brother and sister in law.

An old flame of Roger’s from years ago is at the office, lamenting her dog food company’s PR crisis; the horse meat secret is out, and the brandname is market poison as a result. Annabelle refuses to let Don change the brand’s namesake, since her late father coined it; her saying this to a man who knows a thing or 20 about the power of rebranding is pretty good.

Recently widowed, she’s convinced herself that Roger was the love of her life and she his, and can effortlessly snag him again. At their French dinner, Roger is sauced and a touch harsh about the facts. Annabelle is hurt and stunned to be both knocked back in the present and repudiated re:the past.

Essentially Annabelle broke his heart, and then she comes back all these years later saying that he’s ~The One~ like a slap to the face.. and it turns out she wasn’t The One in Roger’s realm. Ouch. I’m guessing the Honeymoon Hypnosis will wear off with Jane as time goes by, but for the time being, Roger is interested in being faithful to his wife.

Suzanne laments that Don is unhappy in his life, which is pretty much the biggest boner killer to a guy like that. In classic Don form, he pretty much rolls his eyes at her Emotions(TM) and goes to lie down to let her ride out her temper tantrum. She wanted more than she thought she would want (Taaaaale as old as tiiiiiiiimmeeeeeee). Don transposes a bit of his runaway fantasy onto her, as Betty is headed out of town with the kids for the rest of the week, and suggests a getaway to Mystic.

Joan is encouraging to her trash husband for his Psychiatry interview, being way nicer than he deserves. It’s pretty hilar as Greg would be the earth’s least fucking astute psychiatrist. His new focus means more school, and Joan needs a legit non-department store job. Ringing Roger the next day looking for work, he’s happy to hear from Joan. “You want to be on some people’s minds. Some people’s.. you don’t.”

Natch, Greg doesn’t get the psychiatry gig and bombs the interview. Joan comes home to a husband that’s deeply steeped in manpain. In a fit of defeat and utter frustration, Joan has the most appropriate reaction to his horseshit manbaby feelings I’ve ever seen.

“I don’t want to be a psychiatrist.. it’s not medicine. I might as well work at a bank.”

“I don’t care what you do, as long as you do something. We need money.”

“I did everything I was supposed to do. Everything they told me. College, med school.. I wanted to be a surgeon since I was that big.”

“I’m sorry, Greg.. Maybe it’s time to move on.”

“You don’t know! You don’t know what it’s like to want something your whole life, and to plan for it, and to count on it and not get it! Okay?”

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image courtesy of Photobucket

As if Joan wouldn’t know how that feels, you trashbag of microdicks.

Betty consults with the family attorney about her marriage, seeking advice and getting some bleak shit in return. Looks like it’s harder to divorce than she thought. He can take the children, adultery must be proven in a court of law, yadda yadda yadda. Is he a good provider for the children? You’re not scared of him, right?

Welcome to 1963, I guess.. but, fuck that noise; that’s not what it’s about for her. Time to take matters into your own hands, Bets.

Don goes home to what he thinks is an empty house to grab some stuff for his mistress voyage to Mystic, and surprise! Betty is there waiting for him. Time to get your ass cornered, Don. Here’s hoping Suzanne, waiting in the Caddy, catches the hint and doesn’t entirely blow up his spot.

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image courtesy of Tumblr

Watching Don completely crumble as Betty takes the wheel with the conversation is shocking; this is essentially his worst nightmare, after all. He initially fights her, but once Betty confidently reveals she knows what’s in that drawer, he falls apart. What else can he really do?

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image courtesy of Slant Magazine

He tells her who Anna is, about how his name is really Dick Whitman, his family, the whole nine. Growing up very poor, seeking any escape possible. Being in Don’s shoes, this is probably the most terrifying thing he’s ever had to face. This image of his life and this idea he’s so carefully curated, the uniform and game face he wears in the day to day, it’s been stripped. He’s lied to Betty for the better part of a decade at this point, every single fucking day; that’s really deplorable.

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image courtesy of IGN

Once Don starts talking about the people in the photos, his family and how they’re all dead, he really loses it. Betty asks about Adam, and he looks at her as if he’s seen a ghost; how does she know? “The little boy in all the photos”. Explaining that Adam came to the city find him, wanting a relationship and he callously turned him away, taking his own life as a result, Don breaks down. This is the only sort of softness and empathy Betty shows him, sincerely.

Brass tacks, Don’s life story is pretty fucking sad. Betty is sympathetic, but who knows how long that will last. It’s a pretty gargantuan lie.

Latenight at the office, Roger rings around trying to help Joan land a job. At home, she’s made soup for dinner; Greg comes home in better spirits, flowers in hand, to let her know that he’s up and joined the fucking army (without consulting her); apparently his tiny dick led him there, since he’ll go in as a Captain.

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I SEE YOU. || image courtesy of ONTD

So.. it looks like Greg is headed to Vietnam. Bon voyage!

This is the closest we’ve ever seen Don and Betty to having a real emotional connection, but it may be too little too late and under probably the most dire of shit circumstances imaginable. With the curtain down, do they have a shot at a real, honest relationship? Or will it create a whole new slew of issues?

“And who are you supposed to be?”

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image courtesy of Tumblr

Mad Men s3e10: The Color Blue

“The truth is, people may see things differently.. but they don’t really want to.”

It’s a touch before Halloween. Don pops over to Suzanne’s for a bang, and later we see him looking slightly guilty as Betty expresses worry and that she thinks he’s working too hard. He’s really milking that Hilton excuse to sneak out every night to get it in.

The Aqua Net ad idea is pretty similar imagery-wise to the upcoming JFK assassination, though the characters of course don’t know that yet. Peggy is doing well at work, freewheeling creatively and pissing off Kinsey in the process. She’s really talented, and that raw talent is something he just can’t crack. Go Pegs!

Missing the mark as usual, Kinsey assumes her perceived brilliance is due to the fact that she’s Don’s favourite; but Peggy knows that’s not the truth. This is proven later on in the episode during the Western Union idea exchange with her, Kinsey (and his lost idea), and Don. Kinsey is one of those guys who carefully curates this image of himself as the smartest guy in the room, and he works to be the most cultured and intelligent guy he can be; and when it’s consistently chipped away, he becomes deflated. Kinsey ain’t a bad guy– he just needs a reality check, and to find his real vocation, a place where he fits.

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image courtesy of BurnThisMedia

In the midst of a bang, Suzanne’s epileptic brother Danny shows up unexpectedly, and Don has a weird fucking meltdown about it. While he’s determined to sneak out, she insists on introducing him. Reminded of his own brother Adam, Don visibly stiffens, then shows him a little kindness with a handshake and well wishes. Danny is similarly down on his luck, and looks to Suzanne for help and guidance and she happily obliges. As soon as Don splits, Danny calls a spade a spade, talking shit about Don being arrogant and upset that his plans with his sister were interrupted. Suzanne chooses to see it as Don being secretive.

As Lane rehearses his speech for the upcoming Sterling Cooper 40th Anniversary Party, London rings to let him know that Sterling Cooper is once again for sale. Turns out the party is more of display. As a result, Lane has to charm Bert into attending by playing into his inherent vanity. And hey, it works!

But now, Lane sees his superiors for the smarmy dicks they really are; they had no interest in his future, nor any sort of personal investment in the company as Lane has. That’s a pretty big matzah ball for Lane to grasp. Maybe once Guy MacKendrick got his ass run over by a John Deere PPL re-examined hanging onto Sterling Cooper.

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image courtesy of Tumblr

The dryer is rattling, and Betty fishes out a pair of keys.. oh shit, will these open that desk drawer that’s been thwarting her for a season?? AND OH FUCK, THE KEY WORKS!

Equal parts relieved and fretful, Betty unlocks the drawer. There’s an astounding amount of cash, along with a beat up shoebox. Cautiously opening it, the box reveals a plethora of old photos with Don labeled as Dick, a pair of dogtags, old timey photos of his family, a Deed to a house in California, a Divorce Decree to an Anna Draper.. it’s all too much.

Of course, we all know how the pieces fit together– but to Betty, there’s no context for this secret information overload. She had a sneaking suspicion that Don was hiding something (or things) from her, but surely nothing as big as all this.

As everything washes over her, Betty goes wan as Carla brings the kids home. It’s all so overwhelming, as if an H-bomb has been dropped on 42 Bullet Park Road.

In this episode, I feel a little more for Suzanne as a character, Don’s intense hard-on for Good and Wholesome mommy issues galore aside. Previously I wrote her off as your run of the mill Thirst Trap(TM), but maybe she’s simply on a different level than the other emotionally repressed characters; she’s inherently more open, and contrasting with everyone else we encounter on this show, it seems like she’s totally fucking bonkers.

Suzanne manages to swing a job for Danny, to help him out; a foreign concept to Don who pushed his own brother away (and unknowingly nudged him towards a noose) back in Season 1. And perhaps reflecting upon sins past, Don offers to drive Danny up to his new job in Massachusetts.

Danny ain’t as grateful as Don had expected, though. Then again, Danny is living Don’s hobo dream; drifting from place to place, figuring shit out as he goes.

“I know what’s waiting for me at that place. I’m 25 years old, Don.. I don’t want to be cleaning toilets until I die. Just pull over.”

“Hold on– I’m older than you, and I’m telling you it seems bad now.. but you can still change things.”

“Pull myself up by the bootstraps?”

“Does that just sound stupid to you?”

“How do I explain this? I can’t do anything that you can do. Everyone knows, sooner or later, that there’s something wrong with me. They’re kind and they try, but then when I come to with piss in my pants, they stare at me like I’m from another planet. I am afflicted, okay? It’s not a question of will. I can’t change that.”

Another curveball thrown at the Don Draper “just move forward” mantra. Natch, Don throws some cash at the guy as he lets him out of the car, but not before imparting his card with a little support and insight.

“I swore to myself I would try to do this right once. I want you to call me, if you ever need to. And I want you to remember, if something happens to you.. your sister will never forgive herself.”

Baby steps, I guess.

Sitting up until 2am with that shoebox, Betty slowly realises Don isn’t coming home yet again. Accepting defeat, she places it back in his desk drawer, locks it, and puts the key back in his robe. Startled by his phone call the following morning, she’s apparently supposed to be dressed to the nines and ready to be shown off at the Sterling Cooper 40th later that evening.

En route to said SC 40th, Lane is totally nerve-wracked and stuck in traffic. Thinking it’s the traffic that’s getting him down, Rebecca tries to soothe; Lane lets her know they’re selling the company, and she takes the news with glee, wanting him to take comfort in returning to England. Nope. Lane is a man who has done nothing but obediently follow orders all his life, and he’s sick of it. There would be no place for him at the company in the event of a sale and he knows it.

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image courtesy of PopSugar

As Roger makes a speech lauding Don’s work achievements and character, Betty looks equal parts heartbroken, betrayed, and pissed off. And we know that Roger ain’t too chuffed to make that speech either. Cue thunderous applause.

“Well, he knows how to leave a room.”