Mad Men s2e3: The Benefactor

“I’ve seen the man sober. He’s not funny.”

Ahh, the first appearance of Jimmy Barrett! This acerbic comedian from hell is a pretty fun character. Right out of the gate, he roasts the planetary Mrs. Utz in the midst of filming an Utz commercial. He compares her to the Hindenburg, while Kenny and Freddy try to put out the fire. So mortifying.

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image courtesy of ONTD

Cut to Betty and Sara Beth at the stables, they’re talking with that weiner guy Arthur and his blandly attractive fiancée, Tara. Sara Beth is verklempt whereas Betty is more subtle about the attention she receives from him.

“You are so beautiful. So different than Tara.” #thingsmensay

Later on, Betty has a funny interaction with him. He unloads a lot of fragile man feelings about his rich fiancée, looks like a doofus in the process and makes her sound like a hellish brat.

Arthur: “You’re so profoundly sad.”

Betty: “No. It’s just, my people are Nordic.”

As an aside, how bizarre is horseback riding as a hobby? I mean, really. Sitting atop a massive animal while it runs round a dirt field and jumps over shit.. what?

Harry opens Kenny’s paycheck, turns out that mannequin is making bank! His wife talks him and his talents in the office way up, and he decides to take a risk with a pretty out there episode of The Defenders. Essentially this episode is Abortion: The Show. He decides to try a power move to show off his worth, playing an excerpt to the Belle Jolie people; he coins it as scandal that all women will tune into and a unique opportunity for their lipstick business.

Don: “Controversy means viewers. Women will find a way to watch this. Maybe just because they don’t want to get left out.

Elliott: “Is that true?”

Peggy: “There’s no doubt in my mind.”

Belle Jolie doesn’t buy it, but the execs notice and are pleased. Harry gets his raise, and is made Head of the TV Department. Boss!

Since Don was at the movies seeing some French crap, he missed the Jimmy Barrett apocalypse. He gets the job of damage control, and begrudgingly agrees to take care of it. Partially due to that, and Lois’ radiating idiocy, and he gives her the axe.

“You do not cover for me.. you manage people’s expectations.”

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Enter Jimmy’s wife and manager, Bobbie Barrett. She’s an attractive, older, fast-talking gal; a woman who manages her husband and doesn’t take shit. “I like being bad and then going home and being good.”

After fooling around in his car during a hail storm with Bobbie like a flushed teenager, Don frantically washes his hands like a weirdo as soon as he gets in the door. He sits down at the table, and Betty gives him a lovely gift; she had his watch thoughtfully monogrammed. He looks at it from a million miles away, and ponders, “what is life?”.

Betty’s hands are shaking again. She’s visibly deflated that the fancy French dinner in the city is a work gig for Don, and she automatically asks which version he’d like her to be and without missing a beat, he replies shiny and bright; he needs a better half. This is humiliating, I really feel for Betty here.

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Dinner at Lutèce. Even though Jimmy’s down a quart, he immediately hits on Betty upon being seated. Don is a little horrified and tries moving things along via Bobbie, but she tries to swindle some extra cash (to the tune of $25 grand) for an apology.

Don forcefully fingerblasts Bobbie, wielding sex like a weapon just as she did with his vaguely unintentional car boner. His threats work, as it gets Jimmy to apologise at least. Yikes on bikes. “A guy like that must know how to make a charming apology, or he’d be dead.” Roger ain’t wrong.

Betty cries in the car on the way home, and spins it to Don as happiness that she’s a part of his life. She really is so profoundly sad.

“What is better than tears to make a girl ready to hear she can be beautiful?”

Mad Men s2e2: Flight 1

Turns out that Boho Paul Kinsey lives in Montclair, NJ! Fun fact, Montclair is a completely fucking charming place. Shoutout to The Wellmont!

Kinsey introduces his girlfriend Sheila to Joan, and they have a loaded exchange. Joan feels that Kinsey is a phoney, smoking his pipe and living out in Jersey, dating an African-American grocery store clerk to make himself appear more interesting. Is that really true, though? Joan seems to think so, yet there’s sincerity from Kinsey and how wounded he is by her savage words. Kinsey gets Man(TM) revenge by tacking up a copy of her driver’s license with her birth year circled. Oh, the humanity!

Peggy is snogging some square, isn’t impressed, and heads home alone.

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The question of Peggy’s lovechild hasn’t yet been answered at this point, but this episode offers some insight into her family and home life. Her mother and sister appear to be loving people, but consistently make subtle (and not so subtle) jabs at her. Pegs is clearly cut from a different cloth, and they don’t really know what to do or how to relate to her other than imploring/badgering her to be a certain way.

Her mother is a devout Catholic, making up excuses as to why she hasn’t been attending mass with them for however long. People are asking after her, and Peggy quietly shuts it down with a simple “it doesn’t mean the same thing to me that it means to you”.  It’s implied that her father is dead, her mother telling her that he would’ve wanted her to “light a candle for him”, perhaps in regards to her mystery baby.

The absent baby appears to be more a metaphor for the more “accepted” domestic lady Peggy is trying her hardest not to be, despite the fact that she’s been schlepping a vacuum all over the city.

On her way out, Anita tells her to say goodnight, and she freezes momentarily. There’s a few kids in a room, along with a baby. Peggy is visibly uncomfortable.

When I first watched this episode in 2008, I thought perhaps that baby was hers and it was being raised by her sister.. at the end of the episode, Peggy is at mass with her family. When they all go to receive communion, Anita hands off said baby to Pegs and he immediately starts wailing. As I experienced an anxiety attack, Peggy stares off into the distance, willing herself to be anywhere else but that particular location.

Rewind a bit.

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So, Pete’s Waspy dad dies in the American Airlines Flight 1 crash into Jamaica Bay. He’s conflicted, as they did not have the best relationship (mad props to Vincent Kartheiser for his nuanced performance in these scenes). The fact that his father is insolvent sheds some light on his haughty rejection of Pete’s plea for financial help. It’s all oysters, travel, and club memberships.

He seeks some fatherly compassion from Don, and instead gets some general life advice. Pete is a guy who’s overall very competent and on top of things, yet he still has these flashes of naïveté.

“Go home and be with your family.”

“Why?”

“Because that’s what people do.”

“Is that what you would do?”

“.. Yes.”

Woof. Don has no genuine emotional reaction to this whole thing, and it’s not just because he never really had parents. He defaults to what people expect of him, and passes this along to Pete.

Turns out Duck knows a guy at American Airlines, Shel Keneally. Sounds like they got blasted together during their days in London. Looking for a fresh start, they’ve given Sterling Cooper a wink in the wake of this crash and the ensuing PR nightmare; Don is tasked with the shit job of firing Mohawk Airlines, a small company to which he yearns to be loyal. Mess.

In fact, the only fatherly compassion Pete gets in this time of need is from Duck, and Pete then uses his father’s untimely death for business purposes. May as well try to make something positive out of it? Campbell senior did not appear to give Pete much of anything while he was alive, maybe he figured this would be a way he could finally do something for him posthumously.

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That night, Don goes home to his family, and it’s tense as hell. Betty’s booked in Francine and suddenly fat Carlton for cards, and he ain’t pleased about it. His interactions with Betty are curt at best, save for when their friends are in the room and he’s suddenly fascinated by her. She publicly complains that Don isn’t firmer with the kids, after Bobby sneaks down to grab some more candy post-bedtime.

They have a bizarre conversation about Carlton, as Don observes that he’s “put on a few” and Betty launches into a whole schpiel about how he should be showering Francine with love after what he put her through. Don shuts down and tells her “Look, Bets, I’m not going to fight. I’ll say whatever you think I should say, but I’m not going to fight with you.”

Good lord.

Mad Men s2e1: For Those Who Think Young

“Young people don’t know anything.. especially that they’re young.”

Well hello! We find ourselves in February 1962, 15 months after the end of Season 1. Valentine’s Day! Let’s twist again!

Turns out Don’s day to day blowing butts of 2 packs’ worth of Lucky Strikes and a gallon of Canadian Club aren’t doing his health any favours. Shocker. “You live too hard, and not just at the office. It’ll hit you all at once”. No shit, Doctor! Don is getting older.

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Peggy is in a meeting with the guys of Sterling Cooper, holding her own. She’s become more confident, and even gives dim Lois some tips as to how she should talk about Mr. Draper. We saw glimpses of this confident, cocky young woman last season, but now she’s really getting more comfortable with herself.

Once Don’s done at the doctor, he hits the bar for a lovely fried egg breakfast with a side of whiskey, as you do. He’s sitting next to some vaguely young guy, who’s reading a copy of Meditations in an Emergency. According to that guy, Don wouldn’t like it. Maybe because he reads as “old”? Who knows.

“I get on a plane I don’t care where I’m going, I just want to see the city disappearing behind me. It’s about adventure. It’s about a fantastical people taking you someplace you’ve never been. Blah Blah Blah. You want to get on a plane to feel alive, to see just the hint of a woman’s thigh because her skirt is just this much too short.”

Escape artist at work here.

Don believes that advertising is about standing out, not fitting in. This is coming from a man who so desperately wants to fit in, so desperately wants to read as ideal and normal, that it’s almost comical. We also see that he and Duck don’t get on in the least, their relationship is pretty strained. Don resents the younger person idea, and Duck doesn’t understand the creative process in the least. They don’t listen to one another, because they both think they know best.

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Valentine’s Day, eveningtime. Picture perfect Betty descends a gorgeous marble staircase, and Don is momentarily entranced. This is the first time I feel there’s some semblance of love between them, which is fitting considering this scene is all about those cinematic moments in life. Far from cinematic, Betty spots her old roomate Juanita from her Manhattan days. Turns out she’s a high class hooker.. awkward.

In their hotel room, Betty takes out the valentine Sally made for Don, then flashes her diaphragm.. and then Don loses his hardon a little bit later on. Also awkward. Betty tries to make him feel better, saying she’s drunker than she is, insisting she doesn’t know where she is. Her tone conveys that she’s just a touch over his fragile man feelings.

Meanwhile– Jackie Kennedy is on TV giving the iconic White House tour, so Betty flips that on. While the tour goes on, Joan is making out with that hot doctor we heard about, and Sal is more interested in seeing JFK himself. This TV special was a big deal- this was the first time the American public got to see the $2mil restoration done to the White House.

Some days later, Betty’s gigantic yellow car shits the bed. Like her old roomate, she realises she can maybe wield her sexuality as currency on a gamble with the mechanic who comes to help her when she comes up short cash-wise. It works, but it’s definitely weird.

Another thought from this episode, is this the beginning of the end of the Man(TM) era? It’s the cusp of feminism, after all. Pete can’t seem to knock up his wife, Don can’t perform in bed with Betty. At this time, these are not things that MEN(TM) do. There’s some brash younger dudes in the elevator yapping about banging broads, and Don seems bemused by their banter until a Lady pops on from another floor. Suddenly he changes, telling the guy to take his hat off as a sign of respect. Oldschool.

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We close on Don reading Meditations in an Emergency, and he sends it to an ~unknown recipient~. Time will tell!

Now I am quietly waiting for
the catastrophe of my personality
to seem beautiful again,
and interesting, and modern.

The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.

It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.