Mad Men s2e5: The New Girl

An iconic episode, one of my favourites. The mystery of Peggy and Pete’s lovebaby is revealed, Peggy gets some great lady schooling from Bobbie, and Don miraculously manages to look debonair while wearing a sling.

Pete and Trudy are at the doctor, yapping about pregnancy, lack thereof, and all that crap. They are having issues conceiving a baby, though we know Pete is plenty virile. Pete brings up the then taboo idea of being one of “those childless couples”, and Trudy simply isn’t having it; she wants to have a family with him, and as she tearfully explains that idea, he gets it. The good news is that the doctor can blow up her ovaries, or do whatever..

Joan is engaged! The office is buzzing. Roger makes a crack about “relatively young love”, but she looks happy. He seems reticent, and Joan picks up that maybe he’s over the entire idea and concept of marriage, not just his wife.

“This is America. Pick a job, and then become the person that does it.”

Actual Don Draper realness in that quote right there.

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image courtesy of Blogspot

Bobbie is set to celebrate selling Grin and Barrett to CBS. Don goes to meet her at Sardi’s, and he runs into Rachel Menken (Katz) and her very boilerplate Husband(TM) Tilden. They have a strange interaction, it’s awkward and short; Rachel sees what he’s doing with Bobbie and appears disappointed, almost. Don is in a cloud of disenchantment and sadness after they run off to the theatre, so he and Bobbie drunk drive to Long Island to hit up her beach house. Always a great idea.

“God, I feel so good.”

“I don’t feel a thing.”

If there was one sentence that sums up Don Draper, it’s that. He’s constantly seeking out stimulation, something to shake him up and make him feel something, but at the end of the day it’s a flatline. It both motivates and paralyses him.

Natch, they get into a car accident. Don fails the sobriety test (the legal limit in 1962 was .15%! Jesus Christmas..), and comes up short on the $150 fine. Don rings a mystery woman, who is revealed as Peggy! She offers to let Bobbie stay with her to allow time for the black eye to heal, and these two women could not be more different.

Bobbie is generally insecure around Peggy, wondering what the real reason is that she’s helping her out. Bobbie offers a bunch of sage Lady Advice to her in the meantime, though Peggy fires back at her with shade at every turn.

Bobbie: “You have to start living the life of the person you want to be.”

Peggy: “Is that what you did?”

Bobbie: “You’re never going to get that corner office until you start treating Don as an equal. And no one will tell you this, but you can’t be a man, don’t even try. Be a woman. Powerful business when done correctly.”

Truer words have never been spoken.

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image courtesy of Mashable

We flash to Peggy in a hospital in 1960, all fucked up on tranquillisers. She can’t remember what happened clearly, and the doctor informs her that she’s had a baby. Peggy stares off into space in disbelief, or wishing to forget it entirely. Her mother and pregnant sister are there, appearing supportive.

At some point, Don comes to visit Peggy in the hospital and offers some sage Don Draper advice to her. After all, she essentially bounced from a job she was beginning to flourish at.. what’s the deal?

“Is that you? Are you really there?”

“Yes I am.”

“What are you doing here?”

“You got a promotion and disappeared.. your Christmas present is sitting on your desk. I called your house, and your roommate gave me your mother’s number.”

“Oh, God.”

“Your mother told me you were quarantined.. TB. I guess that was supposed to lessen my concern.”

“I’m sorry.”

“What’s wrong with you?”

“I don’t know.”

“What do they want you to do?”

“I don’t know.”

“Yes, you do.. Do it. Do whatever they say. Peggy, listen to me. Get out of here and move forward. This never happened. It will shock you how much it never happened.”

In this instance, I think this is really stellar advice. I know that Don is ultimately just trying to get her back into the office and doing his thing, but I feel that he knows a bit about her as well. He knows that she wants to succeed at advertising, not be a housewife; he knows she’s different from the rest. He sought her out to remind her of the importance of getting on with it, to let go and to move on with life. What the doctors are saying and the judgement doesn’t matter. He sees a bit of himself in her and wants to bring that out.

At home post-accident, it sounds like Don recommitted to his marriage at some point. Betty is understandably upset that he didn’t phone the house after his accident, but he plays it as that he didn’t want to worry her and call so late. He has high blood pressure, and thinks the booze and the meds didn’t make good bedfellows. Betty offers a sensible response.. “You should call me. I’m your wife. You promised you wouldn’t disappear like that anymore.”

Peggy takes Bobbie’s advice to heart, and point blank asks Don for her bail cash she loaned him. The flaw in moving forward is that sometimes you forget it almost entirely. She thanks him, and calls Don by his first name; he’s clearly taken aback. Good for you, Pegs!

At dinnertime, Betty withholds the salt with their meatloaf dinner. When Sally asks why, Betty replies that it’s because they love him. Upon hearing this, Don stares off to some far away place.

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image courtesy of Fanpop

“I’m sure glad I don’t have problems.”

Mad Men s1e9: Shoot

Ah, smarmy Jim Hobart. This indecent prune of a man will be a recurring theme, gnawing at the edges of Don’s professional life. In Shoot, he tries to get to Don via casting Betty as a model for Coca-Cola.

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image courtesy of Mad Men Wikia

Oh hey, it turns out Betty used to be a model in Manhattan! Makes sense that’s how she and Don met, being that they’re separately obsessed with image and all that. Adding to the image, she never liked giving the clothes back, and lets her shrink know that was always the hardest part of modelling for her.

As she’s telling the story of her relationship with Don and moving to the suburbs and suddenly feeling so old, she begins to talk about her mother harping on her appearance. And then, ironically, how much her mother hated her modelling, even calling her a prostitute. Jesus, lady..

Seems like life suddenly moved really quickly for Betty. One day, she’s got a lucrative fun career and life with friends in Manhattan as a model, then the next she’s engaged to Don, moving to the suburbs, saddled with kids and immediately defined by others as the stay at home mom and wife.

“You’re angry at your mother”

Betty is incensed, torn about how to feel, what’s ‘right’ versus reality. Her shrink speaks some truth, and she knows it. Alas, she’s not ‘supposed’ to feel that way about her mother.

“She wanted me to be beautiful so I could find a man. But then what? Just sit and smoke and let it go til you’re in a box?”

Is that all there is? Huh. Betty misses modelling, her own life, something greater; she wants to feel and be more than she appears. She’s living in a strange dollhouse, and wants out in some way. Never having had the opportunity to define herself, she’s craving something deeper.

In office news, Peggy busts an enormous hole in her skirt with the rip heard ’round the world, which is pretty much the worst feeling ever. Joan lends her a dress and some unsolicited “advice” in the form of wondering how she’ll get close to men if she’s (GASP) not slim! And how she assumed Peggy was only writing in an attempt to get close to Kinsey. Ay yi yi, Joan. These women have very different outlooks on life.

Later on, Pete decks Ken for making a comment about Peggy’s big fat ass. Class act, that Pete Campbell. Kenny had it coming!

In some of the worst CGI ever created (second only to LOST), Polly somehow bites the neighbour’s dove pigeon in mid-air.

As compared to this trashterpiece, from LOST‘s fifth season..

Horrendous CGI aside, this guy is a maniac and scares the shit out of Sally and Bobby, threatening to kill their dog. What an asshole neighbour.

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image courtesy of KnowYourMeme

Jim Hobart mails Don the proofs from Betty’s photoshoot, using it as leverage to get him to come work for McCann. Knowing that he’ll stay at Sterling Cooper and what this will mean for Betty, he’s disappointed by this lowbrow move. Don goes to chat with Roger and emphasises how he wants to stay where he is. This is also the first time we learn that Don works at SC with no contract, something he would unlikely be able to swing at a bigger agency. They talk cash, and when Roger asks why, Don simply responds, “I like the way you do business”. No shady shit.

Don: “If I leave this place, one day, it will not be for more advertising.”

Roger: “What else is there?”

Don: “I don’t know, life being lived. I’d like to stop talking about it and get back to it.”

Roger: “I’ve worked with a lot of men like you, and if you had to choose a place to die, it would be in the middle of a pitch.”

Don: “I’ve done that. I want to do something else.”

Done and dusted.

It’s heartbreaking watching Betty at the end of the photoshoot, finding out the news that her photos won’t be used. Don of course knows the real reason, and Betty spins it positively to him at dinner, trying to assert some sort of control over the situation. He does his best to keep it light by emphasising that she already has a job, and that’s being a wonderful mother.

Don says some lovely, heartfelt things to the tune of “I would’ve given anything to have a had a mother like you. Beautiful and kind, filled with love like an angel”. As flattered as she is, this is the last thing Betty wants to hear, and she lets it marinate.

The next morning, she’s back to the mom routine and is pretty over it circa ~1pm. As quickly as she was defined as this mother and housewife, she’s annoyed that she had no say in the matter. She is angry with her mother.

Shooting at her garbage neighbour’s pigeons, here’s a lady taking out her aggression and attempting to take control. Iconic.

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image courtesy of MadMenDaily

“Eventually you come up here, or you die wondering.” Prophetic words from Jim Hobart. Seeya in a bit, weirdo.